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La bonne chanson (Fauré)
''La bonne chanson'', Op. 61, by Gabriel Fauré, is a song cycle of nine mélodies for voice and piano. He composed it during 1892–94; in 1898 he created a version for voice, piano and string quintet.〔Orledge (1979), pp. 296–297〕 The cycle is based on nine of the poems from the collection of the same name by Paul Verlaine.〔LA Phil webpage〕 According to Fauré himself, the song cycle contains a number of musical themes which recur from song to song. He had devised this technique for the 1891 song cycle ''Cinq mélodies "de Venise"'',〔Orledge (1979), pp. 78–81〕 which was also based on Verlaine's poetry.〔Orledge (1979), p. 295〕
==Composition==
Much of the cycle was composed in the summers of 1892 and 1893 while Fauré was staying in Bougival,〔Orledge (1979), p. 15〕 as the guest of the banker Sigismond Bardac and his wife, the soprano Emma Bardac.〔Nectoux (2004), p. 180〕 Fauré was in love with her (although she later married Claude Debussy).〔 Fauré wrote later that the cycle was his most spontaneous creation, with Bardac singing the newly composed material for him each day.〔 The final song, "L'hiver a cessé", was completed in February 1894,〔Orledge (1979), p. 81〕 and the cycle was published by Hamelle that year, with a dedication to Emma Bardac.〔
In a 1902 interview conducted by Louis Aguettant for ''Le Courrier musical'',〔Nectoux (2004), p. 187〕 Fauré enumerated five main musical themes which recur throughout the cycle until they appear together in the final song, "L'hiver a cessé". One of these themes was taken from his earlier mélodie "Lydia",〔Orledge (1979), pp. 81-84〕 Op. 4, No. 2 (c. 1870);〔Orledge (1979), p. 278〕 Fauré stated that he associated this theme with a singer, possibly meaning Emma Bardac.〔Nectoux (2004), p. 188〕
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